Description
Acrylic paint, pastel and spray paint used on canvas
| Original | One of a kind Artwork |
|---|---|
| Type of Art | Acyrilic on Canvas |
| Dimensions | 152x122cm (Framed) |
| Exhibition | Towards the Sun |
Müge Kaymakcan (b. İzmir, Turkey) graduated from the Faculty of Fine Arts at Dokuz Eylül University in 2002 and went on to complete her Master’s degree at the Institute of Educational Sciences in 2006. She later pursued doctoral research, which informed her exploration of art, education, and visual culture. Alongside her practice, she taught art at a private school. In 2010, Kaymakcan relocated to London, where she established her base as a practicing artist. Over the years, she has participated in numerous group exhibitions and presented four solo shows. Her work, often rooted in drawing and expanded onto canvas, explores the relationship between the human figure and its surrounding environment. She currently works from her studio at Wimbledon Art Studios.
Biography
Education
Exhibitions
Artist Statement
Biography
Müge Kaymakcan (b. İzmir, Turkey) graduated from the Faculty of Fine Arts at Dokuz Eylül University in 2002 and went on to complete her Master’s degree at the Institute of Educational Sciences in 2006. She later pursued doctoral research, which informed her exploration of art, education, and visual culture. Alongside her practice, she taught art at a private school. In 2010, Kaymakcan relocated to London, where she established her base as a practicing artist. Over the years, she has participated in numerous group exhibitions and presented four solo shows. Her work, often rooted in drawing and expanded onto canvas, explores the relationship between the human figure and its surrounding environment. She currently works from her studio at Wimbledon Art Studios.
Education
Exhibitions
Artist Statement
My work moves between figurative and abstract painting, often using the human body as a starting point. I’m fascinated by the way a figure can dissolve into colour, gesture, or space, and how abstraction can carry its own sense of presence. Life drawing has been an important practice for me, sharpening my eye and giving structure to my explorations, but I’m equally drawn to the freedom of abstraction, where forms shift and meanings open up. Each painting becomes a conversation between control and spontaneity, where brushstrokes, layers, and colours suggest their own direction. For me, painting is less about a final image and more about the process — the act of searching, experimenting, and discovering. I see my work as a journey that keeps unfolding, inviting viewers to find their own connections within it.